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The Munsell Color System was developed in the late 1800s by Albert Henry Munsell, who was an accomplished artist and educator who also had a penchant for science. He was confounded by the lack of a meaningful way in which artists could consistently and effectively communicate color. read more »
Lora Alexander is a color analyst who specializes in make-up artistry. She blogs about color at Pretty Your World. Here she shares her story on using Munsell to get back to basics and learn a more robust system for analyzing color. read more »
Andrew Werth lives in West Windsor, New Jersey. He exhibits at Artists’ Gallery in Lambertville, NJ, and can be found online at www.andrewwerth.com. He talks about color theory and the import role it plays in the development of his artwork. read more »
Many artists find the colors of flesh elusive. After all, most can bring to mind ultramarine blue and cadmium yellow. Yet when it comes to flesh, many are left scratching their forehead. Flesh tones are hard to describe. Luckily, that area being scratched can be studied in Munsell terms using Munsell notation: hue, value and chroma. read more »
We love hearing stories from people who have used the Munsell color system in their work, hobbies or everyday lives. Thanks for submitting your anecdotes about color, pigments, lighting, art, scientific analysis, and anything in between. read more »
Grand Rapids, MI – April 12th, 2013 – Munsell Color, part of the X-Rite company and the leader in producing physical color standards, read more »
As the The Boston Globe article, “Munsell, the man who colored America,”* by Dushko Petrovich (March 17, 2013) suggests, perhaps it’s time for a Munsell revival. Although Albert H. Munsell was an award-winning artist, he was the consummate educator, read more »
Jill Morton is a Color Professor whose primary focus is on color psychology and branding. She shares her insights on Color Matters, a website that is a “continuation of her teachings and passion for color”. read more »
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